DON QUIXOTE
       by Miguel de Cervantes
      Translated by John Ormsby
          Volume I.
           Part 17.

CHAPTER L. OF THE SHREWD CONTROVERSY WHICH DON QUIXOTE AND THE CANON HELD, TOGETHER WITH OTHER INCIDENTS “A good joke, that!” returned Don Quixote. “Books that have been printed with the king’s licence, and with the approbation of those to whom they have been submitted, and read with universal delight, and extolled by great and small, rich and poor, learned and ignorant, gentle and simple, in a word by people of every sort, of whatever rank or condition they may be–that these should be lies! And above all when they carry such an appearance of truth with them; for they tell us the father, mother, country, kindred, age, place, and the achievements, step by step, and day by day, performed by such a knight or knights! Hush, sir; utter not such blasphemy; trust me I am advising you now to act as a sensible man should; only read them, and you will see the pleasure you will derive from them. For, come, tell me, can there be anything more delightful than to see, as it were, here now displayed before us a vast lake of bubbling pitch with a host of snakes and serpents and lizards, and ferocious and terrible creatures of all sorts swimming about in it, while from the middle of the lake there comes a plaintive voice saying: ‘Knight, whosoever thou art who beholdest this dread lake, if thou wouldst win the prize that lies hidden beneath these dusky waves, prove the valour of thy stout heart and cast thyself into the midst of its dark burning waters, else thou shalt not be worthy to see the mighty wonders contained in the seven castles of the seven Fays that lie beneath this black expanse;’ and then the knight, almost ere the awful voice has ceased, without stopping to consider, without pausing to reflect upon the danger to which he is exposing himself, without even relieving himself of the weight of his massive armour, commending himself to God and to his lady, plunges into the midst of the boiling lake, and when he little looks for it, or knows what his fate is to be, he finds himself among flowery meadows, with which the Elysian fields are not to be compared. “The sky seems more transparent there, and the sun shines with a strange brilliancy, and a delightful grove of green leafy trees presents itself to the eyes and charms the sight with its verdure, while the ear is soothed by the sweet untutored melody of the countless birds of gay plumage that flit to and fro among the interlacing branches. Here he sees a brook whose limpid waters, like liquid crystal, ripple over fine sands and white pebbles that look like sifted gold and purest pearls. There he perceives a cunningly wrought fountain of many-coloured jasper and polished marble; here another of rustic fashion where the little mussel-shells and the spiral white and yellow mansions of the snail disposed in studious disorder, mingled with fragments of glittering crystal and mock emeralds, make up a work of varied aspect, where art, imitating nature, seems to have outdone it. “Suddenly there is presented to his sight a strong castle or gorgeous palace with walls of massy gold, turrets of diamond and gates of jacinth; in short, so marvellous is its structure that though the materials of which it is built are nothing less than diamonds, carbuncles, rubies, pearls, gold, and emeralds, the workmanship is still more rare. And after having seen all this, what can be more charming than to see how a bevy of damsels comes forth from the gate of the castle in gay and gorgeous attire, such that, were I to set myself now to depict it as the histories describe it to us, I should never have done; and then how she who seems to be the first among them all takes the bold knight who plunged into the boiling lake by the hand, and without addressing a word to him leads him into the rich palace or castle, and strips him as naked as when his mother bore him, and bathes him in lukewarm water, and anoints him all over with sweet-smelling unguents, and clothes him in a shirt of the softest sendal, all scented and perfumed, while another damsel comes and throws over his shoulders a mantle which is said to be worth at the very least a city, and even more? How charming it is, then, when they tell us how, after all this, they lead him to another chamber where he finds the tables set out in such style that he is filled with amazement and wonder; to see how they pour out water for his hands distilled from amber and sweet-scented flowers; how they seat him on an ivory chair; to see how the damsels wait on him all in profound silence; how they bring him such a variety of dainties so temptingly prepared that the appetite is at a loss which to select; to hear the music that resounds while he is at table, by whom or whence produced he knows not. And then when the repast is over and the tables removed, for the knight to recline in the chair, picking his teeth perhaps as usual, and a damsel, much lovelier than any of the others, to enter unexpectedly by the chamber door, and herself by his side, and begin to tell him what the castle is, and how she is held enchanted there, and other things that amaze the knight and astonish the readers who are perusing his history. “But I will not expatiate any further upon this, as it may be gathered from it that whatever part of whatever history of a knight-errant one reads, it will fill the reader, whoever he be, with delight and wonder; and take my advice, sir, and, as I said before, read these books and you will see how they will banish any melancholy you may feel and raise your spirits should they be depressed. For myself I can say that since I have been a knight-errant I have become valiant, polite, generous, well-bred, magnanimous, courteous, dauntless, gentle, patient, and have learned to bear hardships, imprisonments, and enchantments; and though it be such a short time since I have seen myself shut up in a cage like a madman, I hope by the might of my arm, if heaven aid me and fortune thwart me not, to see myself king of some kingdom where I may be able to show the gratitude and generosity that dwell in my heart; for by my faith, senor, the poor man is incapacitated from showing the virtue of generosity to anyone, though he may possess it in the highest degree; and gratitude that consists of disposition only is a dead thing, just as faith without works is dead. For this reason I should be glad were fortune soon to offer me some opportunity of making myself an emperor, so as to show my heart in doing good to my friends, particularly to this poor Sancho Panza, my squire, who is the best fellow in the world; and I would gladly give him a county I have promised him this ever so long, only that I am afraid he has not the capacity to govern his realm.” Sancho partly heard these last words of his master, and said to him, “Strive hard you, Senor Don Quixote, to give me that county so often promised by you and so long looked for by me, for I promise you there will be no want of capacity in me to govern it; and even if there is, I have heard say there are men in the world who farm seigniories, paying so much a year, and they themselves taking charge of the government, while the lord, with his legs stretched out, enjoys the revenue they pay him, without troubling himself about anything else. That’s what I’ll do, and not stand haggling over trifles, but wash my hands at once of the whole business, and enjoy my rents like a duke, and let things go their own way.” “That, brother Sancho,” said the canon, “only holds good as far as the enjoyment of the revenue goes; but the lord of the seigniory must attend to the administration of justice, and here capacity and sound judgment come in, and above all a firm determination to find out the truth; for if this be wanting in the beginning, the middle and the end will always go wrong; and God as commonly aids the honest intentions of the simple as he frustrates the evil designs of the crafty.” “I don’t understand those philosophies,” returned Sancho Panza; “all I know is I would I had the county as soon as I shall know how to govern it; for I have as much soul as another, and as much body as anyone, and I shall be as much king of my realm as any other of his; and being so I should do as I liked, and doing as I liked I should please myself, and pleasing myself I should be content, and when one is content he has nothing more to desire, and when one has nothing more to desire there is an end of it; so let the county come, and God he with you, and let us see one another, as one blind man said to the other.” “That is not bad philosophy thou art talking, Sancho,” said the canon; “but for all that there is a good deal to be said on this matter of counties.” To which Don Quixote returned, “I know not what more there is to be said; I only guide myself by the example set me by the great Amadis of Gaul, when he made his squire count of the Insula Firme; and so, without any scruples of conscience, I can make a count of Sancho Panza, for he is one of the best squires that ever knight-errant had.” The canon was astonished at the methodical nonsense (if nonsense be capable of method) that Don Quixote uttered, at the way in which he had described the adventure of the knight of the lake, at the impression that the deliberate lies of the books he read had made upon him, and lastly he marvelled at the simplicity of Sancho, who desired so eagerly to obtain the county his master had promised him. By this time the canon’s servants, who had gone to the inn to fetch the sumpter mule, had returned, and making a carpet and the green grass of the meadow serve as a table, they seated themselves in the shade of some trees and made their repast there, that the carter might not be deprived of the advantage of the spot, as has been already said. As they were eating they suddenly heard a loud noise and the sound of a bell that seemed to come from among some brambles and thick bushes that were close by, and the same instant they observed a beautiful goat, spotted all over black, white, and brown, spring out of the thicket with a goatherd after it, calling to it and uttering the usual cries to make it stop or turn back to the fold. The fugitive goat, scared and frightened, ran towards the company as if seeking their protection and then stood still, and the goatherd coming up seized it by the horns and began to talk to it as if it were possessed of reason and understanding: “Ah wanderer, wanderer, Spotty, Spotty; how have you gone limping all this time? What wolves have frightened you, my daughter? Won’t you tell me what is the matter, my beauty? But what else can it be except that you are a she, and cannot keep quiet? A plague on your humours and the humours of those you take after! Come back, come back, my darling; and if you will not be so happy, at any rate you will be safe in the fold or with your companions; for if you who ought to keep and lead them, go wandering astray, what will become of them?” The goatherd’s talk amused all who heard it, but especially the canon, who said to him, “As you live, brother, take it easy, and be not in such a hurry to drive this goat back to the fold; for, being a female, as you say, she will follow her natural instinct in spite of all you can do to prevent it. Take this morsel and drink a sup, and that will soothe your irritation, and in the meantime the goat will rest herself,” and so saying, he handed him the loins of a cold rabbit on a fork. The goatherd took it with thanks, and drank and calmed himself, and then said, “I should be sorry if your worships were to take me for a simpleton for having spoken so seriously as I did to this animal; but the truth is there is a certain mystery in the words I used. I am a clown, but not so much of one but that I know how to behave to men and to beasts.” “That I can well believe,” said the curate, “for I know already by experience that the woods breed men of learning, and shepherds’ harbour philosophers.” “At all events, senor,” returned the goatherd, “they shelter men of experience; and that you may see the truth of this and grasp it, though I may seem to put myself forward without being asked, I will, if it will not tire you, gentlemen, and you will give me your attention for a little, tell you a true story which will confirm this gentleman’s word (and he pointed to the curate) as well as my own.” To this Don Quixote replied, “Seeing that this affair has a certain colour of chivalry about it, I for my part, brother, will hear you most gladly, and so will all these gentlemen, from the high intelligence they possess and their love of curious novelties that interest, charm, and entertain the mind, as I feel quite sure your story will do. So begin, friend, for we are all prepared to listen.” “I draw my stakes,” said Sancho, “and will retreat with this pasty to the brook there, where I mean to victual myself for three days; for I have heard my lord, Don Quixote, say that a knight-errant’s squire should eat until he can hold no more, whenever he has the chance, because it often happens them to get by accident into a wood so thick that they cannot find a way out of it for six days; and if the man is not well filled or his alforjas well stored, there he may stay, as very often he does, turned into a dried mummy.” “Thou art in the right of it, Sancho,” said Don Quixote; “go where thou wilt and eat all thou canst, for I have had enough, and only want to give my mind its refreshment, as I shall by listening to this good fellow’s story.” “It is what we shall all do,” said the canon; and then begged the goatherd to begin the promised tale. The goatherd gave the goat which he held by the horns a couple of slaps on the back, saying, “Lie down here beside me, Spotty, for we have time enough to return to our fold.” The goat seemed to understand him, for as her master seated himself, she stretched herself quietly beside him and looked up in his face to show him she was all attention to what he was going to say, and then in these words he began his story. *** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 17 *** This file should be named 5919.txt or 5919.zip This and all associated files of various formats will be found in: http://www.gutenberg.net/5/9/1/5919/ Produced by David Widger Updated editions will replace the previous one–the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away–you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSEPLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license). and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. agree to be bound by the terms of this agreement. There are a few paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative Gutenberg-tm mission of promoting free access to electronic works by the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E.1. The following sentence, with active links to, or other immediate copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work through 1.E.7 or obtain permission for the use of the work and the must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other 1.E.7. Do not charge a fee for access to, viewing, displaying, 1.E.8. You may charge a reasonable fee for copies of or providing – You pay a royalty fee of 20% of the gross profits you derive from prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and – You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of – You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. – You comply with all other terms of this agreement for free forth in this agreement, you must obtain permission in writing from Foundation as set forth in Section 3 below. 1.F. works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES – Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND – If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY – You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone that arise directly or indirectly from any of the following which you do including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at permitted by U.S. federal laws and your state’s laws. The Foundation’s principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation’s web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. ways including including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.